The ultimate question is no longer “who am I” or “why am I here.” These questions were answered in the earliest civilizations by philosophers and priests. Today we live in an age of such rapid advances in technology and science that the ultimate question must be rephrased: “what shall we be?”

This book investigates what may become of human civilization, who is setting the agenda for a trans-humanistic civilization, and why.

The modern Victor Frankenstein holds a high political office, carries diplomatic immunity, and is most likely funded by the largest corporations worldwide. His method is ancient: alchemy. His fraternities are well known and their secrets are well kept, but his goal of times past and present is the same; he dares to become as god, genetically manipulating the seeds of the earth, the beasts on the fields, and to claim legal ownership over humanity by re-creating it in his own image. This is no fairy tale, science fiction, or conspiracy theory … it simply is!

Transhumanism, a Grimoire of Alchemical Agendas by Dr.s’. Joseph P. Farrell and Scott D. de Hart lifts the veil from the macabre transhumanistic monster being assembled and exposes the hidden history and agenda that has set humanity on a collision course for the Apocalypse.

“If you think texts like the Rig Veda and Popol Vuh are reliable guides to the goals and techniques of advanced lost civilizations, then Transhumanism offers a compelling slate of spooky coincidences. If you think those texts just fanciful concoctions of the long dead, then the book serves as documentation of the ancient roots of man’s desire for complete techno-control of the stuff of life. There’s nothing surprising or spooky about that; the technological manipulation of nature—human and otherwise—is quintessentially human.” —Brian Doherty, Reason Magazine

 

 

 

Frankenstein was first released in 1818 anonymously.

The credit for Mary Wollstonecraft Shelley’s authorship first occurred in 1823 when a French edition was published. A year earlier, Mary’s revolutionary husband, the influential poet, dramatist, novelist, and essayist Percy Bysshe Shelley, died.

The same year Frankenstein, or, The Modern Prometheus (its full title) was first published, so was another work by Mary’s husband that shares use of the word Prometheus. The dramaPrometheus Unbound was indeed credited to Percy Shelley.

The secret admission of many experts in English literature is that Mary Wollstonecraft Shelley did not write a good portion of Frankenstein. In Shelley Unbound, Oxford scholar Scott D. de Hart examines the critical information about Percy Shelley’s scientific avocations, his disputes against church and state, and his connection to the illegal and infamous anti-Catholic organization, the Illuminati.

Scott D. de Hart’s fascinating investigation into Frankenstein and the lives of Mary Wollstonecraft and Percy Shelley results in an inconvenient truth regarding what we have long believed to be a great early example of the feminist canon.

Scott D. de Hart was born and raised in Southern California. He graduated from Oxford University with a PhD specializing in nineteenth-century English literature and legal controversies.