LiarTown

Welcome to LiarTown! A place where reality is skewered with a hilarious combination of comedic genius and graphic design wizardry. There’s an Apple Cabin Foods on every corner, and your favorite Corduroy Porn mags are always in stock. LiarTown is a convulsively funny compendium of Sean Tejaratchi’s brilliant takedowns of popular culture and societal trends.
For the past four years, Tejaratchi’s LiarTown USA blog has delighted thousands of online visitors with each new slice of satirical visual commentary. With a selection of the best posts and otherwise unseen material collected into a glossy, full-color trade paperback, readers can now immerse themselves in an alternate world where blockbusters and bestsellers include Banjo the Man-Faced Dog and the Captain James Feelings’ Nautical Romance novels.
Working with a stunning array of source material, Tejaratchi creates clever, uproariously detailed visuals and descriptions of book and magazine covers, films and TV shows, celebrities and “historical” images that at first glance would pass for the real thing. Upon closer inspection, it becomes apparent that The Hardy Boys Lose Their S*** was never on the shelf at the local library, and the British crime drama Inspector Cliffchap didn’t have a time slot on the BBC.
LiarTown Poster Available HERE
Death Scenes
The publication of Death Scenes: A Homicide Detective’s Scrapbook proves there is no such thing as the “good old days.”
Jack Huddleston, a bona fide detective with the Los Angeles police department, collected together a scrapbook of oddities and gruesome moments from his years working for the force. Huddleston’s scrapbook spans Southern California in its noir heyday, circa 1925–1945, the time when the Black Dahlia killer and Winnie Ruth Judd were perpetrating their savage crimes.
Assembled into book form by editor and designer Sean Tejaratchi courtesy of collector and filmmaker Nick Bougas, Death Scenes is divided into several sections: “Odditorium and The Living”; “Accidents and Accidental Deaths”; “Suicides”; “Homicides”; and “The Morgue.” Katherine Dunn, whose book Geek Love (Knopf) earned critical acclaim and bestseller status, provides a cogent introduction, tracing the history of the man behind the scrapbook, meditating on the meaning behind the mayhem and madness.
“If you’ve ever wanted to gaze on crime-scene snaps… then this terrifying, near unbearable compilation is the book for you. Already an underground bestseller, the paradox is that Death Scenes is not so much a reflection of what a violent society it is, as what a safe one. For only in a society like ours, in which death is hidden away, would a book like this be so genuinely shocking.” — GQ Magazine
Death Scenes
The publication of Death Scenes: A Homicide Detective’s Scrapbook proves there is no such thing as the “good old days.”
Jack Huddleston, a bona fide detective with the Los Angeles police department, collected together a scrapbook of oddities and gruesome moments from his years working for the force. Huddleston’s scrapbook spans Southern California in its noir heyday, circa 1925–1945, the time when the Black Dahlia killer and Winnie Ruth Judd were perpetrating their savage crimes.
Assembled into book form by editor and designer Sean Tejaratchi courtesy of collector and filmmaker Nick Bougas, Death Scenes is divided into several sections: “Odditorium and The Living”; “Accidents and Accidental Deaths”; “Suicides”; “Homicides”; and “The Morgue.” Katherine Dunn, whose book Geek Love (Knopf) earned critical acclaim and bestseller status, provides a cogent introduction, tracing the history of the man behind the scrapbook, meditating on the meaning behind the mayhem and madness.
“If you’ve ever wanted to gaze on crime-scene snaps… then this terrifying, near unbearable compilation is the book for you. Already an underground bestseller, the paradox is that Death Scenes is not so much a reflection of what a violent society it is, as what a safe one. For only in a society like ours, in which death is hidden away, would a book like this be so genuinely shocking.” — GQ Magazine




