From the original release: On highly-detailed canvases that are packed to the margins with strange symbols, bleeding body parts, Bible verses, and nightmare genitalia, Joe Coleman paints the wondrous carnival of his psychotic universe. His work is even blessed by a blurb from Charles Manson: “His art is something else. Praise! Praise! Praise! He’s a caveman in a space ship.” 

This is an artist no horror fan can afford to miss: He does serial killers, sideshow freaks, deranged sex, evil doctors, and religious iconography like no one else on Earth. This is a superb introduction to Coleman’s world and work, with a biographical article, photos, 32 color plates, and numerous illustrations. Warning: Disturbing!

Twenty-six years later, Joe Coleman is recognized as a genius lauded by critics and collectors throughout the world.

Here is a lost illustrated masterpiece, a book so rare and sought-after that only two copies can be found in world libraries. For the first time this classic work on a forgotten Arabian legend has been translated into English. This illustrated novel is presented as a “pictorial opera” of love, hashish, and tragedy in the time of Victorian erotica, and it contains the first known illustrations and descriptions of true hashish hallucinations. This high quality case-bound and slipcased limited edition reproduces all fifty original erotic illustrations and colorful extras by illustrator Gottfried Sieben, and it is limited to only 418 copies, all signed by Ronald K. Siegel. This book will appeal to readers of Fitz Hugh Ludlow’s Hasheesh Eater, Charles Baudelaire’s Artificial Paradise, High Times magazine, and marijuana users everywhere.

Fritz Lemmermayer was born in Vienna in 1857, became a writer, poet, and journalist, and maintained close relationships with Gustav Mahler and Richard Wagner.

Ronald K. Siegel is a recognized world authority on drugs and drug literature. A former research professor at UCLA, he is the author of numerous books including the critically acclaimed Intoxication. Siegel was featured in several Time magazine cover stories, and has been a consultant to presidential commissions and the World Health Organization. He is currently curator of the RKS Library of Drug Literature, one of the largest such libraries in the world.

“Some novels die and justifiably remain dead. A few are resurrected by bookish saviors and, re-examined, rise to deserved new life. Haschisch by Fritz Lemmermayer is one such literary Lazarus.” — Stephen J. Gertz

Three of the 100 hardbound, signed (Adam Parfrey, Brendan Mullen, Don Bolles, and Pat Smear) limited edition.

LEXICON DEVIL, an oral history that probes the brains of over 100 characters, and contains 140 never-before-seen photos, goes beyond early punk rock into secret regions of suicide, mind control, suppressed sexuality, corrosive humor, self-abuse, and addictions to rock celebrity, drugs and cults. Thieves, surfers, skinheads, nymphettes, chickenhawks, skateboarders, Scientologists, boho artists, under-age sado-masochistic punk kids, and TV stars confront and hustle each other in a late ’70s L.A. history that reads like bowdlerized chapters of Hollywood Babylon that have finally come to light.

It took three improbable co-authors to put together this amazing book. Brendan Mullen founded the Masque, the urine-stained basement from which Los Angeles punk rock was created, (and with Mark Spitz) wrote We Got the Neutron Bomb, the ’70s Los Angeles rock history. Don Bolles played drums for The Germs, Vox Pop, 45 Grave and Celebrity Skin; when not homeless Bolles DJs horrifying children’s records at KXLU. Adam Parfrey is known for his apocalyptic sociology, and most recently the volume Extreme Islam: Anti-American Propaganda of Muslim Fundamentalism.

“Number One, with a silver bullet. The definitive story of L.A. punk’s tragic manimal, Darby Crash. Truly obscene, appallingly funny, sad beyond words. I await the Hollywood motion picture.”
— Jimmy McDonough, author of Shakey: Neil Young’s Biography, and The Ghastly One: The Sex-Gore Netherworld of Filmmaker Andy Milligan

“Compelling reading from start to finish.”
— Ugly Things

“This book delivers on punk mayhem… A fascinating story… one of the most emotionally powerful books on punk… the punk book which might be most meaningful to a broader audience… a lot of insights not only about the music and the time, but about youthful rebellion more generally.”
— Benjamin Hervey, The Joe Bob Report

“Rock & roll, death, urine, slime, blood and pus [were] reborn on the Sunset Strip in the punk summer of ‘77. Darby Crash was the Christopher Columbus of horror, grotesquery, and bad behavior – of course he needs his story told. I couldn’t believe the book – it brought me back in a time machine to my own brush with madness and insanity.”
— Kim Fowley

“This book is an important oral history of a person, a band, a time long past that will never be repeated.”
— Trent A. Reinsmith

“Lexicon Devil is, pure and simple, the finest volume on L.A. punk – world punk – PUNK! – to have seen the light of print. (Yes, folks: that includes Please Kill Me.) As oral histories of ANYTHING go, I would put it right up there with Jack’s Book and Edie: An American Biography. Great book!”
— Richard Meltzer

”[Lexicon Devil] is as compellingly readable a portrait of a personality and a culture as anything you’re likely to set eyes on.”
— Crispin Sartwell

“This book scared the shit out of me. It’s amazing, it’s great … I can’t believe how good it is.”
— Pat Smear, Germs guitarist, and later a player for Nirvana and the Foo Fighters

The Process Church of the Final Judgment was the apocalyptic shadow side of the flower-powered ’60s and perhaps the most notorious cult of modern times.

The Process Church of the Final Judgment was the apocalyptic shadow side of the flower-powered ’60s and perhaps the most notorious cult of modern times. Hundreds of black-cloaked devotees, often wearing a satanic “Goat of Mendes” and a swastika-like mandala, swept the streets of London, New York, Boston, Chicago, New Orleans, and Toronto, selling magazines and books with titles like “Fear” and Humanity is the Devil. 

Members would participate in “Midnight Meditations” beneath photographs of the Christ-like leader. Celebrities like Marianne Faithful, James Coburn, and Mick Jagger participated in Process publications, and Funkadelic, in its Maggot Brain album, reprinted Process’ “Fear Issue.” Process’ “Death Issue” interviewed the freshly-imprisoned Charles Manson leading to conspiracy hysteria in such books as Ed Sanders’ The Family and Maury Terry’s The Ultimate Evil. A lawsuit against Sanders’ Manson book led to the removal of its Process-themed chapter by Dutton. 

Love, Sex, Fear, Death is the shocking, surprising, and secretive inside story of The Process Church, which was later transformed into Foundation Faith of the Millennium, and most recently as the Utah-based animal sanctuary, Best Friends. Timothy Wyllie, a formative member of the Process and Foundation Faith organizations contributed a comprehensive history of the group and its rituals. Love, Sex, Fear, Death also includes  interviews with other former Processeans; selections from the rare and notorious Process magazines; never-before-seen photographs; and fascinating transcripts from holy books. New to this edition will be select court transcripts from the 1972 suit where the Process Church sued Ed Sanders for libel in England (and won.)

Author Biography: Timothy Wyllie (1940-2017) was born in Great Britain and raised in London and is one of the original Process Church members.

Michael: A German Destiny in Diary Form is a semi-autobiographical novel authored by the German propagandist Joseph Goebbels and published in 1929. It is a three-part work of which only Parts I and III have survived. The novel is a combination of Goebbels’ own thoughts and the life of his best friend Richard Flisges who had actually fought in World War I, and later ended his college studies to work in a mine where he died in an accident. That is what happens to the novel’s protagonist Michael who meets his “sacrificial death” on 30 January 1921.

Michael was a significant popular success, going through seventeen printings.

Rereleased to coincide with Ed Wood, a Tim Burton movie based on the book, this authoritative underground biography brings to life the renegade filmmaker.

“Finally the Ed Wood story told in all its naked wonder. Nightmare of Ecstasy is an hilarious but heartbreaking portrayal of a brave, eccentric and sometimes insane film director. I stayed up all night reading it with my mouth hanging open.” — John Waters.

“Stranger, weirder, more tragic than the Ed Wood movie.” — Edward Everett Horton

Limited edition replica of a one of kind Process Church belt buckle. Cast in Bronze, Heavy copper plate and hand polished with Silver plate. 1.25 oz.

To follow up on the Feral House release, Love Sex Fear Death: The Inside Story of The Process Church of The Final Judgment, written by Timothy Wyllie, here are full color reproductions of the Process Church’s notorious and rare thematic magazines, all boldly imaginative and decades ahead of their time. This edition, limited to 1,200 copies, also includes the essay, “The Gods on War,” written by the cult’s “Omega,” which reveals how the Gods Jehovah, Lucifer and Satan have vowed apocalyptic vengeance against man. An audio recording of “The Gods on War,” with Lydia Lunch, Genesis Breyer P-Orridge, Adam Parfrey, and Timothy Wyllie is available as a download to every book buyer. When they’ve become available, these extremely rare magazines have sold for a thousand dollars each, or more.

James Shelby Downard may be the most controversial conspiracy theorist of the 20th century. In his essay “King-Kill 33°,” Downard notoriously laid out the involvement of Freemasonry in the assassination of President Kennedy. Even Marilyn Manson wrote a song based on Downard’s essay.

The Carnivals of Life and Death is Downard’s autobiographical account of his early years in the deep South, when Ku Klux Klanners and Freemasons, including President Franklin Roosevelt, pulled him into many strange and violent affairs.

Adam Parfrey, who introduced Downard to readers in his Apocalypse Culture compilations, provides the Foreword, based on his personal experiences with the reclusive (now-deceased) conspiracy theorist.

“The most absurd, the most incredible, the most ridiculous Illuminati theory of them all.”
— Robert Anton Wilson, author, The Illuminatus! Trilogy

“James Shelby Downard has elevated paranoia to an art form.”
— Disinfo.com founder Richard Metzger